What are the barriers creative businesses face in adopting new technologies?

Background

In the creative industries (CI) there is a need to evidence approaches to better grow workforce skills and productivity explicitly addressing the skills gaps and shortages taking into account the complex dynamics of CI workforces, (e.g. including freelancers, contractors and employees in a range of organisational types from SMEs through to FTSE corporations). There is also a need to understand the level and type of innovation and R&D activity undertaken by creative businesses, and the impacts this has on growth, trade and societal benefits. We are also interested in how the creative industries are adapting business models and navigating new markets, as well as how these changes affect audiences. MCI wants to better understand the values and future values of the CIs including economic output but beyond this to consider societal delivery, soft power and net zero.

Next steps

Get in touch with csa@dcms.gov.uk

Source

This question was published as part of the set of ARIs in this document:

DCMS areas of research interest GOV UK

Related UKRI funded projects


  • Centre of Excellence for Policy and Evidence in the Creative Industries

    The UK's creative industries are a national economic strength. Since the turn of the decade, employment, exports and output growth has easily outstripped that in the rest of the economy. Yet, behind this rapid growth lie...

    Funded by: UUI

    Lead research organisation: Nesta

    Why might this be relevant?

    The project partially addresses the question by exploring the structural challenges and business uncertainties in the creative industries, and the need for skills, talent and diversity, but does not specifically focus on the barriers in adopting new technologies.

  • Creative Fuse North East

    Creative Fuse North East will investigate how new approaches to innovation-led problem solving can support the region's creative, digital and IT (CDIT) sector. Drawing on findings and approaches of Brighton Fuse, Fusebox...

    Funded by: AHRC

    Lead research organisation: Newcastle University

    Why might this be relevant?

    The project partially addresses the question by exploring barriers to innovation, growth and sustainability in the CDIT sector, and how universities can support the sector, but does not specifically focus on the barriers in adopting new technologies.

  • New Research Processes and Business Models for the Creative Industries

    The UK is world-renowned for its creative industries in areas as diverse as music, animation, and the performing and visual arts. However, the emergence of a new generation of social, pervasive and affective ICT promises...

    Funded by: EPSRC

    Lead research organisation: University of Nottingham

    Why might this be relevant?

    The project partially addresses the question by exploring the challenges faced by the creative industries due to the emergence of a new generation of social, pervasive and affective ICT, but does not specifically focus on the barriers in adopting these new technologies.

  • To research, develop and design a range of creative thinking and practise workshops

    This project will form an exciting collaboration between Bathysphere, an artist led music company, and the Institute of Creative Technology (IOCT) at De Montfort University. The overarching aim of this project is to rese...

    Funded by: AHRC

    Lead research organisation: De Montfort University

  • Brighton Fuse 2

    Brighton Fuse 2 is a research grant continuing the previous Brighton Fuse project funded by AHRC to map, measure and enhance the Creative Digital Information Technology (CDIT) cluster in the City of Brighton and Hove (ww...

    Funded by: AHRC

    Lead research organisation: University of Brighton

  • Creative Industries Policy and Evidence Centre

    In recognition of the growing availability of data in key areas of policy, the PEC will introduce set piece UK-wide 'State of the Nation' reporting in each of four high-level priority thematic areas led by the four organ...

    Funded by: AHRC

    Lead research organisation: Newcastle University

  • CoSTAR (Convergent Screen Technologies And performance in Realtime)

    CoSTAR (Convergent Screen Technologies And performance in Realtime) aims to establish a worldleading national infrastructure for multidisciplinary applied creative R&I, harnessing and driving the convergence of advan...

    Funded by: AHRC

    Lead research organisation: National Gallery

  • AHRC Infrastructure Policy and Engagement Fellowship

    CoSTAR (Convergent Screen Technologies And performance in Realtime) aims to establish a world-leading national infrastructure for multidisciplinary applied creative R&I, harnessing and driving the convergence of adva...

    Funded by: AHRC

    Lead research organisation: Goldsmiths University of London

  • Creative Industries Clusters Programme - Baseline Research & Evidence Grant

    From film and music to video games and architecture, the UK has one of the world's largest, most innovative and fastest growing creative industries. A new wave of research and development will open up exciting ways to cr...

    Funded by: UUI

    Lead research organisation: Royal Holloway University of London

  • Creative Informatics: Data Driven Innovation for the Creative Industries

    Creative Informatics is an R&D partnership which will grow Edinburgh's creative industries cluster, by helping it to tap the huge potential of using data to shape, develop and deliver new products and services for pu...

    Funded by: UUI

    Lead research organisation: University of Edinburgh

Similar ARIs from other organisations